ISHI CAMP SNAPSHOTS: HISTORICAL RECONSTRUCTIONS

ishi captured 355  ishi 2 at UC Museum of Anthropology 350

Ishi died 100 years ago, March 25, 1916–anthropology’s man of two worlds, the last stone age man, the last wild man, museum specimen, and closest friend.   Raised on the Ishi story, we commemorate this sad centennial with reflections on his friendships cut-short, his camping experience, his influence on modern archery, and beyond to his architectural influence and its own untimely end.

BARRY McGEE: ARTIST AND VANDAL

Last summer’s trip to Berlin, City of Graffiti, has us thinking about the lively yet criminal place of graffiti in the community.   The Berkeley Arts Museum visits the subject  in Barry McGee’s exhibit of constructions, sketches and graffiti art closing December 9th, 2012.  The museum building itself  is not to be missed, as it too is subject to closure as an art museum in 2015 as a result of ever-stiffening seismic requirements anxiously awaiting the arrival of the Big One.  Meanwhile, the building’s impending loss as a dramatic and now-unrepeatable gallery space is a tragic and crushing blow.

BETTER WURSTER?

Along with San Francisco’s  Bank of America Building and Ghiradelli Square, the Clark Beach House in elevation above and immortalized on PG&E’s heliodon machine left, counts among the most published and recognized of the work from the office of the architect William Wilson Wurster, one time west coast darling, and educational innovator as  Dean at MIT and UC Berkeley’s re-envisioned Environmental Design Department.  Known for his serious understatement and disdain for luxury and over-designing, his work remains largely disregarded today seemingly as a result.  With the One Percent currently under attack, the possibility for a resurgence of  modesty in home design seems better than any time since the Reign of Terror. 

MODERNIZING 1921: SCHINDLER CAMPS OUT

Could this design from the Housekeeping Campground Map in Yosemite Valley be the original inspiration for LA architect Rudolf Schindler’s radical home design on King’s Road? (See our post Sun-worshipers and Free-thinkers.)   As Schindler describes it,  the home “… fulfils the basic requirement for a camper’s shelter: a protected back, an open front, a fireplace and a roof…”( ‘A Co-operative Dwelling’ , T-Square, February 1932).

In 1921 amidst the falling oak leaves of September and October Rudolf and wife Pauline  enjoyed an idyllic few weeks in camp shelters in Yosemite Valley.  Having just terminated his employment with Frank Lloyd Wright, Rudolf and Pauline planned their modern life and modern home in Los Angeles. Four independent and  utilitarian studios conjoined in a communal relationship would provide a background for work and play.  They would be joined in this experimental four-plex by housemates and friends Clyde and Marian Chace.